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RASIQRA REVULVA CEPHALOPOGRAPHY 2.0

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“Strange and marvellous as the deep sea, full of beauty, fear, myth, play, multiple hearts and legs, these are poems of invention, creativity, self, sex and surprise which celebrate the marvellous glitch that is life – what it is to be alive, to communicate. Here our tongue is a tentacle alert to the weird and sensual beauty of language, to the alien and ourselves as we navigate the vibrant dark that is our home. This twisted squidster is a wonder.” – GARY BARWIN, author of Me Then You Then Me Then (w/Kathryn Mockler)


"You had me at the pink endpapers." - KIRBY


Cephalopography 2.0 is as much a passionate celebration of cephalopods in all their plurality and finery as it is a collection of poems exploring human identity and experience through the lens of these marine animals. These experiments with traditional poetic forms such as ghazals, tankas and cinquains, as well as more contemporary forms, make poems that are uniquely and beautifully composed. Cephalopography 2.0 plunges into the depths of human experience to daringly remark on the wild and transformative links between cephalopods and humanity beyond the land and the sea. (Wolsak & Wynn)


RASIQRA REVULVA is a queer femme writer, multimedia artist, editor, musician, performer and SciComm advocate. She is an editor of the climate crisis anthology Watch Your Head: A Call to Action, and one half of the experimental electronic duo The Databats (Slice Records, Melbourne; Toronto). She has published two chapbooks of glitch-illustrated poetry: Cephalopography (words(on)pages press, 2016) and If You Forget the Whipped Cream, You’re No Good As A Woman (Gap Riot Press, 2018). Cephalopography 2.0 is her debut collection. Learn more at @rasiqra_revulva, @thedatabats and www.rasiqrarevulva.com.

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